Authors & Illustrators Wild About Kidlit!
I took a drawing class for two weeks this summer through Mass Art to brush up on my drawing skills. As an art teacher, it
It was awhile back when another author, formerly in my local critique group, sent out e-mail about sharing a table at the New England Authors’
By Paul Czajak Early this summer I got the chance to visit the High Line in New York City. What’s the High Line you ask?
By Heather Fenton Writing can be a solitary endeavor much of the time, so it’s truly rewarding to find a critique group or critique partner
I stretch my heels toward the mat, feeling my strength in downward dog, when my thoughts kick in. How could yoga and writing both be
A follow-up to Part I: About Royalties Net Profit Royalty Here is where the red flag begins to really fly. Net profit royalties (not the
By Jen Malone Paul’s fantastic post about receiving his F&G (folded and gathered) copy of MONSTER NEEDS A COSTUME had me thinking about all the
Part I: About Royalties Part II (coming July 30): Payment Pitfalls and Experiences Royalties and advances for children’s books can be lucrative down the road,
A writer can self-publish a book nowadays through many different sites; Kindle Direct from Amazon, Smashwords, Pubit from Barnes and Noble, Lulu and CreateSpace, just
By Paul Czajak Some of you may know, but for those of you who don’t, I have my first picture book being released September 03,
By Heather Fenton I figured for my first blog post, I would pen something extremely helpful for my fellow writers – How to Write without
Today Marianne Knowles is chatting with Emily Mitchell, who joined the Wernick & Pratt Agency in May 2013. Emily began her career at Sheldon Fogelman
Interview by Carol Gordon Ekster I met Tara through a social media site and she ended up interviewing me about my first book, Where Am
Many critique groups are small, with four to six dedicated writers or illustrators meeting regularly to share and comment on each others’ work. In a
WRITERS' RUMPUS 