Guest Post by Rob Broder, Publisher, Ripple Grove Press
in all its glory:
grab paper and pen
for your wonderful story.
The idea is there,
the characters are fun;
who wouldn’t like this
when it’s all done?
It’s funny, it’s sweet,
it’s current and fresh.
You read it to your kids
and they scream YES!
in your favorite nook
you smile over
this best new book.
It has its charm
like Mother Goose;
and all the charisma of
Dr. Seuss:
You see sir,
there is no crime.
You just want
your story to rhyme.
It’s about a Pig,
whose name is Fig.
and coincidentally likes to dig.
His friend is Duck
who drives a truck
that’s stuck in the muck.
And Fig saves the day
with time left to play
and then heads back in his sty,
leaving Publisher (me) to wonder why—
Why did it rhyme?

Some words felt forced.
Some lines didn’t match.
I’m sighing inside,
will I be able to catch . . . on?
I was liking the plot,
the characters too.
But Rhyme is still rhyme,
there’s not much I can do.
I scratch my head
and try and edit.
But I must move on
and, sadly, forget it.
There are too many syllables
to read in each line,
so your words seem absurd
when they’re trying to rhyme.
It’s not you,
It’s me.
I’m looking for something
with originality.
I do like rhyming
I really do….
when everything matches
and lines flow on cue.
Where nothing feels off,
the rhymes rhyme well,
And the words glide naturally
not leaving me in a . . .(let me think) well.
and with a goat
and in the rain
and on a train.
But I must be honest:
Some drive me insane.
So if your stories
must be in rhyme,
take a step back
and give it some time.
Make sure it’s balanced
and ripe like a plum.
Not leaving me twirling
in a rhyming conundrum.
Rob Broder is Publisher of Ripple Grove Press, an independent, family-run children’s book publisher. He and his wife started Ripple Grove Press because they have a passion for well-told and beautifully illustrated stories for children. Their mission is to bring together great writers and talented illustrators to make the most wonderful books possible. We hope our books find their way to the cozy spot in your home. RGP accepts picture book submissions (nonrhyming and really well rhymed) at www.ripplegrovepress.com/submissions/. They are currently looking for that next story. Please follow their guidelines.
Rob also offers a Storybook Consulting Service where he helps writers and illustrators hone in on their story. If you have an idea, a concept, a book dummy, or a full picture book manuscript that needs guidance and structure, please visit RobertBroder.com or email RobbieBroder (at) gmail.com for further questions.
I liked this poem
Very much
It had the magic
Poet’s touch
Now I should really
Go to bed
But here I’m writing
This instead 😂
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Thanks for sharing this great information. I will keep it in mind as I write picture book stories.
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This is a clever way to illustrate the pitfalls of a form that seems to be perfect for childrne’s books because it can be so lyrical. The problem is that sometimes the music is atonal. Your article is an excellent way to “show” rather than “tell” the core dilemma of writing in verse.
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Well done—this post is hilarious and spot-on about the pitfalls of wannabe poets!
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Lynn, I just read one of my favorite books, “Black Dog” by Levi Pinfold . . . and it has small bits of rhyme and works perfectly.
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Thanks, Rob! I’ll get hold of a copy.
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A fun blog indeed to get your point across, Rob! How do editors feel about partial rhyming picture books? Or rhyme dispersed carefully throughout the manuscript/ Thank you very much.
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if there’s normal dialogue and then there is rhyming… I would prefer not to see it. It works in Winnie the Pooh books, and maybe Bear in Love by Daniel Pinkwater… But I feel is alters the flow of the actual story.
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I appreciate the information and direction. It helps a lot. Thank you again!
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