Yes, writers and illustrators in other countries produce wonderful children’s books, as we do. And why shouldn’t we consider those too? A number of years ago I started collecting children’s picture books from other countries I visited. When friends or relatives went somewhere exotic, I sometimes asked them to bring one home for me. I looked for books written and illustrated by locals that seemed honest to the culture, rather than imitative of the American outlook. Now I have nearly thirty. Not an enormous number, but from a good range of countries of origin. Maybe I should travel more!
I can’t read many of these beautiful books, and I am sorry to be so language deficient, however the illustrations make up for that.
Here are three that all have dark elements, in the literal or figurative sense. Edmond le Prince des Ratons by Christiane Duschesne and Steve Beshwaty, which is from Quebec, Canada and Pohadky, povesti a legendy by Adalbert Stifter, which is from Prague, the Czech Republic, are both illustrated with a technique that appears to involve underpaintings in dark colors (often black) upon which the glaze colors are applied.
They both involve interesting textures, though the styles are very different. The story of the raton is lively and cartoony with a wonderful overall rhythm of white eyes with tiny black pupils throughout. The Czech story looks like a series of traditional folktales that have a peasant-flavored mood showing domestic animals, people in humble clothing, and rural landscapes. Was the illustrator influenced by painters Chagall or Rousseau? The effect is both child-like and sophisticated, an intriguing combination. Picturebooks are a child’s first introduction to art and this artist has made full use of that. This book has a lovely three-piece hardcover binding with gold lettering on the spine and a ribbon bookmark. It has the feel of a classic.
Le Garçon Scarabee, by Lawrence David and illustrated by Delphine Durand, was inspired by The Metamorphosis of Franz Kafka. Although the artwork is bright and childlike, ala Myra Kalman, the theme has its dark side, of course. This book is from Gallimard Jeunesse publishers, France, the illustrator is French, was first published by Random House, NY and is inspired by Kafka, who was born in Bohemia and wrote in German. How’s that for global!
Opening the doors of a child’s mind to all the books of the world is a wonderful stimulant.
You can see more World of Books posts here at WritersRumpus by clicking the red “World of Books” tag below.
Great post, Joyce! I love seeing picture books from other countries.
Thanks Carol. And part of the fun is going places to find them!
Collecting foreign children’s books is a great idea. I may imitate you. As we strive to be inclusive and be of one world these books can give us a clear and honest peek into other cultures. Thank you.
Hey Tiffany, feel free to collect. Not only to be more inclusive, but also to savor the varieties of experience there are out in the wider world that we can learn from. These books help us connect in new ways. Happy collecting.
Beautiful, I especially love the Stifter illustrations!
There are many talented book artists out there, for sure. Good to hear from you, Marcia.
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Thank you for your valuable thoughts, Evelyne. I know exactly what you mean about the Kafka being told by a European. The other night we went with friends of ours from Paris to see the movie version of Chechov’s “The Seagull”. Afterwards we talked about the European perspective of the filmmaker being so different from the American approach. Being open to various views is richly rewarding especially for kids.
Like you, I love it when I spot books originally published in another country and language. Being a French native I know many French books that my family bought first for my American-born children and that I like to purchase or simply admire whenever I’m back to France. My mother-in-law was once surprised to se Mo Willem’s books in English. She had never checked that he was translated in French. Which shows the universality of stories. Personally I always guess the origin through the theme, even if I hide the author’s name. The French PB based on Kafka’s well known own story could only be written by a French or at least European writer. In the same spirit the first books about ‘issues’ could only be written by American writers who started the necessary genre. Great post.