The Wonderful Wordless Spread

The art of the wordless spread is a thing of beauty. It leaves room for the reader to react to the story without being told how to feel or what to think. It gives the reader time to pause and reflect on the character’s emotions or the impact of a special moment in the story. It can evoke sorrow, laughter, triumph, defeat. A wordless spread is my absolute favorite part of any picture book. Here are just a few stellar ones I’ve come across.

In EXTRA YARN by Mac Barnett and Jon Klassen, the wordless spread falls on the second-to-last spread of the book. At that point, the reader has journeyed along with Annabelle, the main character, and her magic box of yarn. It is the perfect moment for the author to step back and let the art capture the moment.

extra yarn

In SHORTCUT by Donald Crews (an oldie but goodie), I’m going to argue that there are several wordless spreads, with one being completely wordless and four containing repeating onomatopoeia.   These spreads convey emotion that no well-crafted sentence could. The reader sees what the characters see, page spread after page spread and, in turn, feels what they feel.

shortcut

In BEEKLE by Dan Santat, the wordless spread occurs when Beekle finds the one thing he’s been looking for; perfectly capturing what I’ve heard Julie Hedlund refer to as the “heart moment.”

beekle

In CREEPY PAIR OF UNDERWEAR by Aaron Reynolds and Peter Brown, a completely black page spread is so simple, so brilliant, and so effective. How better to convey just how dark it is in Jasper Rabbit’s bedroom without the greenish glow of creepy underwear?

underwear

In CHARLOTTE THE SCIENTIST IS SQUISHED by Camille Andros and Brianne Farley, there are two wordless spreads. Both help to convey a major change in setting, a technique I have not seen before with wordless spreads but it works perfectly for the tone and pacing of the book.

charlotte cover

In I WILL NOT EAT YOU by Adam Lehrhaupt and Scott Magoon, the wordless spread enhances the mystery of Theodore, who lives in a cave and is not revealed to the reader in the beginning of the book. It also signals a turning point in the story.

i will not eat you

Which books would you add to this list?

*Featured image from I WANT MY HAT BACK by Jon Klassen

16 comments

  1. Kim, what a great post! Thank you for listing such interesting books. I will add a well-known favorite: Where the Wild Things Are by the tremendously talented author-illustrator Maurice Sendak. There are actually 3 wordless spreads in a row, following these apt words by Max: “let the wild rumpus start!” I must say, hats off to all those talented author-illustrators out there!!

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  2. So agree with you on the impact of wordless spreads (single or double). I’m not sure but I believe that the excellent PB What Do You Do With a Problem? and its companion What Do You Do With an Idea? have also stunning worldless spreads.

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  3. So interesting. I’ve just started exploring the wordless spread…for me it’s partly a stepping back and giving the stage over to the illustrator, but it’s also a sort of caesura…gives the story a moment to turn.

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