One day a package arrived here containing three review copies of picturebooks from Candlewick Press. Each is fully different from the others and together they

Authors & Illustrators Wild About Kidlit!
One day a package arrived here containing three review copies of picturebooks from Candlewick Press. Each is fully different from the others and together they
Color, whether subtle or saturated, has immense power. For picturebooks color can be exploited for its emotional value as well as being a property that
This article is mostly about separating colors for print by hand (about which David Weisner has said “Horrors!”), as was done years ago. And a
Yes, writers and illustrators in other countries produce wonderful children’s books, as we do. And why shouldn’t we consider those too? A number of years
All That I Can Fix opens with squirrels raining down from trees during a windstorm. And someone has uncaged a menagerie of hungry carnivores into
Once you have written or illustrated your heartfelt story, overcome the publishing gatekeeper hurdles, and your book has been birthed, here is another crucial step
On February 14th Diana Haneski, the library media specialist at Margery Stoneman Douglas High School in Parkland, Florida, saved the lives of fifty students and
“I think humor has to work in service of the plot, not the other way around.” – Jerry Mahoney transparency fun fact: Sky Pony Press
My first thought after reading an article in the SCBWI Winter 2018 newsletter about accommodations for dyslexic readers was that this significant problem seemed easy
The Fault in Our Stars, Will Grayson, Will Grayson, Paper Towns, and Looking for Alaska are radiant novels by John Green. His newest YA, Turtles
You’ve revised and polished your manuscript, which your critique group has been helping you tweak, and perhaps you’ve even received feedback from a beta reader.
Note: I was given a review copy of this book. Imagine a world where “the line between animals and humans was not so clearly defined”